- Visualizza Nuovi Contenuti
- Nikonland
- Sezioni
- Test
- Guide agli acquisti
- Indice Articoli
- Blog
- Forum
-
Fotografie
- Novità dalle Gallerie Fotografiche di Nikonland
- Una foto soltanto : Consigli & Critiche
- Ultime Immagini Caricate
- Ultimi Commenti
- _____________________________
- Contest e occasioni speciali di Nikonland
- Natura
- Fiori
- Ritratto
- Nudo
- Street
- Motori (auto e moto)
- Paesaggi e Panorami
- Architetture
- Viaggi e reportage di viaggio
- Sport (no motori)
- Vendo e Compro
- Downloads
- Altro
Benvenuti su Nikonland Questo sito è indipendente, è autofinanziato, non promuove e non raccoglie pubblicità. Non è collegato con Nikon, Nital o le loro sussidiarie
Nikonland non è una rivista periodica e non è quindi sottoposta alla normativa vigente
Ultimi Test
-
Panasonic Lumix DC- GH5: changing photography
Max Aquila - gen 04 2018 17:26
-
Sony Vario Sonnar 2,8/24-70 ZA SSM II: lo Zeiss...
Max Aquila - ago 08 2017 10:39
-
Nikon 24-70mm F2.8E VR (test/prova)
Lieve - ago 02 2017 16:25
-
Nikon D7500 o Nikon D500 : quale scegliere ? (g...
Lieve - ago 01 2017 12:38
-
Nikon D7500 : io non ho paura ! (test/prova)
Lieve - ago 01 2017 13:59
Altri Contributi
-
[libro Nikonland centenario] Il Terzo Occhio
Alberto Coppola - ago 17 2017 15:43
-
[reportage] Non è più strano... il Tai Chi Chuan nei Parchi a Milano.
Silvio Renesto - ago 05 2017 13:16
-
100 anni di Nikon il mito intramontabile
Roby C - ago 04 2017 14:49
-
01-09-2017 - Pravo dopo quarant'anni cambia sede
Roby C - ago 02 2017 17:08
-
31 luglio 1954... e uno che diverrà un famoso nikonista...
Roby C - lug 31 2017 18:48
-
la Vera Storia della Riunione del 29 Luglio...
Roby C - lug 30 2017 22:46
-
Sardegna - Sud Est
cris7 - lug 24 2017 19:27
-
Avignone - Il festival off
Massimo Vignoli - lug 18 2017 21:59
-
[editoriale] Garanzia cinqueminuti...
Max Aquila - lug 12 2017 12:21
-
[motori] Monza Historic
Giannantonio - lug 06 2017 13:39
-
[libro Nikonland centenario] だいすきニコン (daisuki Nikon)
Alberto73 - lug 04 2017 21:52
-
[manifestazioni] TRATTA 29 giugno 2017
tommowok - giu 30 2017 13:23
-
[luoghi] i laghi del Trentino
Alberto73 - giu 29 2017 21:13
-
[reportage] Tre Torri
Giannantonio - giu 28 2017 15:46
-
[Nikonland libro Centenario] come da tag
Valerio Brùstia - giu 26 2017 00:06
In evidenza
-
Le Nikon del 2017
Lieve - feb 08 2017 08:36
-
16 ottobre - 2006-2016 : dieci anni della nostr...
Lieve - ott 16 2016 06:03
-
La Stampa in Bianco e Nero
Spinoza - mag 19 2016 19:55
-
Nikon D5 : semper fidelis (test/prova)
Lieve - ott 30 2016 17:17
-
La nascita di Nikon (Nippon Kogaku) e la Marina...
Lieve - mar 04 2015 11:11
-
Nikon D810 : la terra promessa (test/prova)
Lieve - mar 10 2015 13:50
-
Il fascino intramontabile delle foto stampate
Lieve - mag 22 2014 09:23
-
Calibrare e Profilare il monitor. Guida pratica
Spinoza - mag 13 2014 12:57
Ultime News
-
25 luglio 2017 : fine della ricreazione
Lieve - lug 28 2017 11:02
-
La Nikon D850 ha un mirino ibrido ?
Lieve - lug 27 2017 05:40
-
Importante aggiornamento firmware per la Nikon...
Lieve - lug 12 2017 07:50
-
Nuovo Nikon AF-P 70-300mm F4.5-5.6E VR (FX)
Lieve - lug 11 2017 07:28
-
New Old Camera : servizio 'demo' e Meet...
Lieve - giu 12 2017 07:41
-
Nuovo Nikon 10-20mm F4.5-5.6 VR
Lieve - lug 07 2017 16:49
-
Nuovo Nikon 8-15mm F3.5-4.5E Fisheye
Lieve - mag 31 2017 07:23
-
Nuovo Nikon 28mm F1.4E
Lieve - mag 31 2017 07:36
-
Fotografia, messaggi, il tempo in cui viviamo.
Lieve - giu 25 2017 05:35
-
Il dado è tratto. Sarà il 2018 l'anno mirro...
Lieve - lug 12 2017 07:15
0
VR VR Vrrrrrrrrrrr - 24-85mm f/3.5-4.5G e 18-300mm f/3.5-5.6G
giu 14 2012 07:33 |
Max Aquila
in News Nikon
Due nuovi frullini annunciati...
AF-S Nikkor 24-85mm f/3.5-4.5G ED VR Lens
e
AF-S Nikkor DX 18-300mm f/3.5-5.6G ED VR Lens
Il più corto sarebbe il primo della serie degli "economici" FX:
Surpassing the previous incarnations of the 24-85mm focal length, the new AF-S Nikkor 24-85mm f/3.5-4.5G ED VR lens has been dubbed the first in a series of potentially less expensive FX lenses, and brings this particular focal length back stronger than ever before. Savings, in this case, do not mean a decrease in performance, because the 24-85mm lens comes with the same VR II vibration-reduction technology found in more expensive models, as well as three aspherical and one high-quality ED lens element for greater image clarity and contrast. These combine to minimize or eliminate aberrations and further improve the quality of images.
The incorporation of Nikon’s Super Integrated Coating (SIC) has enhanced the light-transmission efficiency of this lens, as well as the 18-300mm, for offers superior color consistency and significantly reduced lens flare and ghosting. Vibration reduction provides the ability to shoot at shutter speeds up to four stops slower than lenses without the technology, providing added versatility in low-light situations. The lens’s VR system will also automatically detect when you’re panning across a scene, adjusting accordingly without any menu options or mode switching. All of these features will significantly improve your photography, especially in low light.
For a lens that knows where it stands, Nikon’s Vibration Reduction image stabilization system recognizes when the camera is mounted on a tripod and provides precise shutter vibration correction, thanks to its Auto Tripod Detection. This adapts the way your lens operates in various situations, so you can focus on making images.
Il secondo....quanto di peggio possa aspettarsi un appassionato di fotografia, ma sono certo che i cultori dell'oggetto spopoleranno....dicendo che lo comprano per avere in unico obiettivo un 450mm f/5.6 equivalente...
E magari invece funziona ;-)
The AF-S DX Nikkor 18-300mm f/3.5-5.6G ED VR lens is designed to provide an outstanding zoom range, which could easily cover a camera bag’s worth of separate lenses. Spanning 18-300mm, with a 35mm equivalent of 27-450mm, this optical wonder covers many favorite focal lengths for landscape, street, portrait and event photography—without the need to switch lenses several times during a single shoot.
In addition, the 18-300mm lens also employs a zoom-lock switch, a 9-blade rounded diaphragm opening, as well as three ED and three aspherical lens elements. The zoom-lock switch helps to keep the lens secure, at its minimum focal length, preventing it from extending and getting bumped or damaged. Utilizing a 9-blade rounded diaphragm allows beautiful bokeh (blurred background effects) in photos with a shallower depth of field. Nikon’s legendary ED glass has been backed up with three aspheric elements: added together, the combination of these exciting features ensures extremely high image quality, clarity and contrast in every frame you capture.
The 18-300mm lens utilizes the same VR II vibration reduction as the new 24-85mm, and they both employ the Nikon Silent Wave Motor (SWM) for fast, quiet autofocus, which converts “traveling waves” into rotational energy that will then focus the optics within your lens. All of this is going on at fractions of a second in order to provide you with high-speed autofocusing that is both accurate and quiet for when you need it most.
For faster switching between auto and manual focus modes, the 18-300mm, as well as 24-85mm, are a part of the select group of Nikkor lenses to have a M/A focus mode switch. The benefit of this is that you can switch from automatic to manual focusing without a hitch by simply turning the focusing ring on the lens. Both lenses feature internal focusing technology, allowing for compact, lightweight construction as well as a closer minimum focusing distance(1.48' / 0.45 m) all the way out to the 300mm focal length.
16/11 lo schema del primo, 19/14 quello del secondo.
VR II of course
(Fonte B&H)
AF-S Nikkor 24-85mm f/3.5-4.5G ED VR Lens
e
AF-S Nikkor DX 18-300mm f/3.5-5.6G ED VR Lens
Il più corto sarebbe il primo della serie degli "economici" FX:
Surpassing the previous incarnations of the 24-85mm focal length, the new AF-S Nikkor 24-85mm f/3.5-4.5G ED VR lens has been dubbed the first in a series of potentially less expensive FX lenses, and brings this particular focal length back stronger than ever before. Savings, in this case, do not mean a decrease in performance, because the 24-85mm lens comes with the same VR II vibration-reduction technology found in more expensive models, as well as three aspherical and one high-quality ED lens element for greater image clarity and contrast. These combine to minimize or eliminate aberrations and further improve the quality of images.
The incorporation of Nikon’s Super Integrated Coating (SIC) has enhanced the light-transmission efficiency of this lens, as well as the 18-300mm, for offers superior color consistency and significantly reduced lens flare and ghosting. Vibration reduction provides the ability to shoot at shutter speeds up to four stops slower than lenses without the technology, providing added versatility in low-light situations. The lens’s VR system will also automatically detect when you’re panning across a scene, adjusting accordingly without any menu options or mode switching. All of these features will significantly improve your photography, especially in low light.
For a lens that knows where it stands, Nikon’s Vibration Reduction image stabilization system recognizes when the camera is mounted on a tripod and provides precise shutter vibration correction, thanks to its Auto Tripod Detection. This adapts the way your lens operates in various situations, so you can focus on making images.
Il secondo....quanto di peggio possa aspettarsi un appassionato di fotografia, ma sono certo che i cultori dell'oggetto spopoleranno....dicendo che lo comprano per avere in unico obiettivo un 450mm f/5.6 equivalente...
E magari invece funziona ;-)
The AF-S DX Nikkor 18-300mm f/3.5-5.6G ED VR lens is designed to provide an outstanding zoom range, which could easily cover a camera bag’s worth of separate lenses. Spanning 18-300mm, with a 35mm equivalent of 27-450mm, this optical wonder covers many favorite focal lengths for landscape, street, portrait and event photography—without the need to switch lenses several times during a single shoot.
In addition, the 18-300mm lens also employs a zoom-lock switch, a 9-blade rounded diaphragm opening, as well as three ED and three aspherical lens elements. The zoom-lock switch helps to keep the lens secure, at its minimum focal length, preventing it from extending and getting bumped or damaged. Utilizing a 9-blade rounded diaphragm allows beautiful bokeh (blurred background effects) in photos with a shallower depth of field. Nikon’s legendary ED glass has been backed up with three aspheric elements: added together, the combination of these exciting features ensures extremely high image quality, clarity and contrast in every frame you capture.
The 18-300mm lens utilizes the same VR II vibration reduction as the new 24-85mm, and they both employ the Nikon Silent Wave Motor (SWM) for fast, quiet autofocus, which converts “traveling waves” into rotational energy that will then focus the optics within your lens. All of this is going on at fractions of a second in order to provide you with high-speed autofocusing that is both accurate and quiet for when you need it most.
For faster switching between auto and manual focus modes, the 18-300mm, as well as 24-85mm, are a part of the select group of Nikkor lenses to have a M/A focus mode switch. The benefit of this is that you can switch from automatic to manual focusing without a hitch by simply turning the focusing ring on the lens. Both lenses feature internal focusing technology, allowing for compact, lightweight construction as well as a closer minimum focusing distance(1.48' / 0.45 m) all the way out to the 300mm focal length.
16/11 lo schema del primo, 19/14 quello del secondo.
VR II of course
(Fonte B&H)
0 user(s) are online (in the past 15 minutes)
0 utenti, 0 ospiti, 0 utenti anonimi
26 Comments