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Sigma 24-35mm f / 2 Art: earthquake among the zoom

Sigma Art Sigma 24-35mm f/2 DG Nikon G state of the Art Sigma lens for Nikon Segesta Selinunte Solunto Serpotta Palermo

Sigma defines first with this zoom state of the Art of the variable focal length in available light


 
yes ... this Art Sigma 24-35/2 has really got me out of hand ... Immagine Allegata: 0320 _NDF9713 24 mm  1-500 sec a f - 5,0 Max Aquila photo.jpg
over 1.400 shots in a few days witnessed the gradual habituation to the potential of this multiple focal lens, that violates the golden rule of the visual stereotypes, according to which most of the photos taken with a zoom have been framed with more usual disposal focal lenghts, instead of the intermediate ones.
If I look up to the exif shots, I notice instead of having just taken to the entire zoom range (except of 33mm ???) as well mainly to the two extreme ones.
This caused by ultimate constance of  lens performances , marred only (as shown) by a "pleasant" vignetting at f/2 of the entire zoom range and a slight barrel distortion at 24mm, physiological and little troublesome.
 
In summary:
playing with the pdc among contiguous diaphragms  ...
Immagine Allegata: 0303 _NDF9395 25 mm  1-4000 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0304 _NDF9396 25 mm  1-1000 sec a f - 4,0 Max Aquila photo.jpg
and/or with the focus on contiguous subjects  ...
Immagine Allegata: 0306 _NDF9418 35 mm  1-160 sec a f - 8,0 Max Aquila photo.jpg f / 8
Immagine Allegata: 0307 _NDF9419 35 mm  1-2500 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0305 _NDF9409 35 mm  1-2000 sec a f - 2,0 Max Aquila photo.jpg f/2
and with the extreme apertures of the range ...
Immagine Allegata: 0309 _NDF9452 24 mm  1-3200 sec a f - 2,0 Max Aquila photo.jpg
Immagine Allegata: 0308 _NDF9451 24 mm  1-50 sec a f - 16 Max Aquila photo.jpg
and with subjects at closest range ...
Immagine Allegata: 0301 _NDF9365 35 mm  1-640 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0300 _NDF9343 35 mm  1-1250 sec a f - 2,0 Max Aquila photo.jpg
Immagine Allegata: 0311 _NDF9487 35 mm  1-2000 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0322 _NDF9920 32 mm  1-200 sec a f - 11 Max Aquila photo.jpg
and with contestualized subjects, sharply ...
Immagine Allegata: 0316 _NDF9675 28 mm  1-320 sec a f - 8,0 Max Aquila photo.jpg Immagine Allegata: 0317 _NDF9677 28 mm  1-400 sec a f - 8,0 Max Aquila photo.jpg Immagine Allegata: 0318 _NDF9693 29 mm  1-1000 sec a f - 2,0 Max Aquila photo.jpg
In short, however, TO PLAY ...
Immagine Allegata: 0312 _NDF9508 32 mm  1-2500 sec a f - 2,0 Max Aquila photo.jpg
Immagine Allegata: 0310 _NDF9479 35 mm  1-2000 sec a f - 2,0 Max Aquila photo.jpg
Immagine Allegata: 0321 _NDF9725 25 mm  1-1000 sec a f - 2,0 Max Aquila photo.jpg
Immagine Allegata: 0313 _NDF9527 35 mm  1-800 sec a f - 2,0 Max Aquila photo.jpg


... Ah .... and also: ".... but what some colours!" :bigemo_harabe_net-143: 
Immagine Allegata: 0323 _NDF0856 24 mm  1-2000 sec a f - 2,0 Max Aquila photo.jpg

 
Immagine Allegata: 0314 _NDF9621 24 mm  1-1250 sec a f - 4,0 Max Aquila photo.jpg Immagine Allegata: 0315 _NDF9643 24 mm  1-4000 sec a f - 4,0 Max Aquila photo.jpg
 
Max Aquila photo by Nikonland 2015 ©
 
Many thanks to MTrading Sigma italian distributor, whose courtesy have permitted this test
Immagine Allegata: ccs-1-0-64541700-1441692456.jpg
 



Test: Yes



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