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Sigma 24-35mm f / 2 Art: earthquake among the zoom

Sigma Art Sigma 24-35mm f/2 DG Nikon G state of the Art Sigma lens for Nikon Segesta Selinunte Solunto Serpotta Palermo

Sigma defines first with this zoom state of the Art of the variable focal length in available light



S as Sigma and such as Solunto

If an earthquake is a geologic upsetting that manifests itself emitting an exceptional energy, in this zoom Sigma Art energy is manifested in its principal quality, that to define in impeccable way the select shot in help of the photographer that uses it, both approaching and moving away himself from the subject Immagine Allegata: 0136 _NDF0668 24 mm  1-100 sec a f - 11 Max Aquila photo.jpg
Immagine Allegata: 0137 _NDF0678 24 mm  1-160 sec a f - 8,0 Max Aquila photo.jpg Immagine Allegata: 0138 _NDF0680 24 mm  1-320 sec a f - 8,0 Max Aquila photo.jpg
both varying the focalImmagine Allegata: 0140 _NDF0690 24 mm  1-1250 sec a f - 4,0 Max Aquila photo.jpg Immagine Allegata: 0139 _NDF0688 32 mm  1-1250 sec a f - 4,0 Max Aquila photo.jpg
that, for how much can seem limited in the range, it works between the 63° and the 84° of angle of field those, for the note, among which the variation of a pair of degrees also deeply works about compositive differences.
 
Another definitional characteristic of this objective (that I find it hard to call "only" zoom) consists in the great detail, to the usual constant on the whole range of focal and apertures,
Immagine Allegata: 0143 _NDF0706 26 mm  1-800 sec a f - 4,0 Max Aquila photo.jpg Immagine Allegata: 0144 _NDF0708 25 mm  1-640 sec a f - 4,0 Max Aquila photo.jpg
Immagine Allegata: 0145 _NDF0711 35 mm  1-800 sec a f - 5,6 Max Aquila photo.jpg Immagine Allegata: 0141 _NDF0699 24 mm  1-250 sec a f - 8,0 Max Aquila photo.jpg
Immagine Allegata: 0158 _NDF0818 30 mm  1-320 sec a f - 4,0 Max Aquila photo.jpg Immagine Allegata: 0157 _NDF0815 25 mm  1-320 sec a f - 5,6 Max Aquila photo.jpg
that, approaching to the minimal distance of focus, despite of a 1:4,4 RR
Immagine Allegata: 0142 _NDF0753 35 mm  1-1600 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0142 _NDF0758 35 mm  1-2500 sec a f - 2,0 Max Aquila photo.jpg (crop 2x)
even leads to a details analisys capacity of a greater field of view,Immagine Allegata: 0149 _NDF0760 35 mm  1-2500 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0150 _NDF0769 32 mm  1-1250 sec a f - 4,0 Max Aquila photo.jpg
thanks also to the of course to the great standing out of the background given by the f/2 available aperture
although it is not certain its mainly use, which would imagine best dedicated to the classic overall views,
Immagine Allegata: 0146 _NDF0712 24 mm  1-2500 sec a f - 2,8 Max Aquila photo.jpg Immagine Allegata: 0147 _NDF0717 24 mm  1-1250 sec a f - 4,0 Max Aquila photo.jpg
Immagine Allegata: 0152 _NDF0775 24 mm  1-250 sec a f - 8,0 Max Aquila photo.jpg
Immagine Allegata: 0156 _NDF0809 25 mm  1-1600 sec a f - 2,0 Max Aquila photo.jpg but that alone cannot justify
its only reason to purchase
Immagine Allegata: 0160 _NDF0847 27 mm  1-4000 sec a f - 2,0 Max Aquila photo.jpg Immagine Allegata: 0153 _NDF0791 25 mm  1-4000 sec a f - 2,0 Max Aquila photo.jpg
Immagine Allegata: 0151 _NDF0772 24 mm  1-250 sec a f - 8,0 Max Aquila photo.jpg Immagine Allegata: 0161 _NDF0853 24 mm  1-2500 sec a f - 2,0 Max Aquila photo.jpg
 
 




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